Author: WK Kim
Allen & Heath I-Live T112
[Specification]
– Larger fixed format Surface
– Same control as top of the range, modular iLive-112
– 28 faders – 3 banks, 4 layers = 112 control strips
– 16 in, 12 out audio
– In = 8x TRS line, 4x phono, 2x SPDIF
– Out = 8x TRS line, 2x phono, 1x SPDIF, monitor TRS
– TB mic can be patched to talkback or channels
– ACE™ Surface link (audio and control over single CAT5)
– Built in 2 port Ethernet switch
– MIDI port
Behringer X-32
[Specification]
– 32-channel digital mixer with 16 mix buses, 6 mute and 8 DCA groups
– MIDAS-designed, fully programmable mic preamps for audiophile sound quality
– 40-Bit floating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency
– Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
– 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI* and Mackie Control*
– Powerful scene management for convenient handling of complex productions
– iPad* app for professional remote operation available free of charge?no host PC required
– High-resolution 7″ day-viewable Color TFT for easy viewing of workflow components and parameters
– Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction
– Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ’s and full dynamics processing
– Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
– Future firmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of charge
– 16 analog XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic
– 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency
– USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
– Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
– Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters
– ULTRANET connectivity for BEHRINGER’s P-16 Personal Monitoring System** plus AES/EBU stereo digital output and MIDI
– Networked remote control for show setups with on-screen software editor via Ethernet
– Built-in expansion port for audio interface cards or digital networking bridges
– Conceived and designed by BEHRINGE
Yamaha M7cl/48
[Specification]
Centralogic™ Total Access for Absolute Control
Virtual Rack
StageMix provides remote control of M7CL functions
Versatile Channel Module Functions
Outstanding Effects and Effect Control
Waves SoundGrid System
Efficient Interface and Control Functions
Features for Optimum Monitoring
Memory & Recall
Access and Data Management
Sends on Fader in M7CL V3 Editor
M7CL-48ES: Onboard EtherSound and 3rd Port
M7CL-48ES: Auto-configuration for Plug-and-Play Convenience
M7CL-48ES: Analog Insert via OMNI I/O
AuviTran Network ASIO Streamer support for the M7CL-48ES
HA Remote signal output from Slot 1 (M7CL-48ES only).
M7CL Console
Yamaha LS-9/32
[Specification]
– Choose the Model that Suits Your Needs
– Lightweight and Compact for Superior Portability and Handling
– No-compromise Analog Circuit Design Delivers the Best Sound in this Class
– Intuitive Interface
– 16 or 32 Mono Input Channels Plus 4 Stereo Input Channels expandable up to 32 or 64 channels in Two Layers
– Extensive Channel Functionality
– 16 Mix Buses, 8 Matrix Buses, Plus Stereo and Mono Buses with LCR Mode
– Virtual Rack with Top-quality Effects
– Recall Safe and Recall Focus…Right Down to Head Amp Gain
– USB Memory Recorder/Player for Convenient Recording and BGM or Effect Playback
– Detailed Access Management
– LS9 Editor Software for Enhanced Operability and Programmability
Yamaha O1v-96
[Specification]
– Precise 24-bit/96-kHz Audio and High-performance Head Amps
– 40-input 18-bus Mix Capacity at 96 kHz
– Versatile Connectivity and Expandability for a Wide Range of Applications
– Powerful Channel Functions with Flexible Control and Patching
– Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz
– 01V96 Editor Software Supplied
– Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys
– Versatile Pairing and Grouping Functions Enhance Mixing Efficiency
– I/O Expansion Slot for Easy Expansion in a Variety of Formats
– Sophisticated DAW or Digital Recorder Integration
– Built-in VCM Effects
– Channel Strip
– Compressor 276 (mono) / Compressor 276S (Stereo)
– Compressor 260 (mono) / Compressor 260S (Stereo)
– Equalizer 601
– Reverb
– Free Version 2 Download Enhances 01V96 Functionality
– Seamless ADD-ON EFFECTS Support
– A Major Studio Manager Evolution
LA 12
[Specification]
SPL – 152 dB Maximum
Frequency Range – 50 Hz – 20 kHz (± 3 dB)
Coverage – 100ºh Dispersion
Dimension – 1108 X 339 X 495 mm
SC 8F
[Specification]
SPL – 150 dB Maximum
Frequency Range – 25 Hz – 150 Hz (± 3 dB)
Peak Power – 6000 watts program
Dimension – 710 X 574 X 848 mm