Allen & Heath I-Live T112

[Specification]

– Larger fixed format Surface
– Same control as top of the range, modular iLive-112
– 28 faders – 3 banks, 4 layers = 112 control strips
– 16 in, 12 out audio
– In = 8x TRS line, 4x phono, 2x SPDIF
– Out = 8x TRS line, 2x phono, 1x SPDIF, monitor TRS
– TB mic can be patched to talkback or channels
– ACE™ Surface link (audio and control over single CAT5)
– Built in 2 port Ethernet switch
– MIDI port

Behringer X-32

[Specification]
– 32-channel digital mixer with 16 mix buses, 6 mute and 8 DCA groups
– MIDAS-designed, fully programmable mic preamps for audiophile sound quality
– 40-Bit floating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency
– Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
– 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI* and Mackie Control*
– Powerful scene management for convenient handling of complex productions
– iPad* app for professional remote operation available free of charge?no host PC required
– High-resolution 7″ day-viewable Color TFT for easy viewing of workflow components and parameters
– Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction
– Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ’s and full dynamics processing
– Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
– Future firmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of charge
– 16 analog XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic
– 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency
– USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
– Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
– Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters
– ULTRANET connectivity for BEHRINGER’s P-16 Personal Monitoring System** plus AES/EBU stereo digital output and MIDI
– Networked remote control for show setups with on-screen software editor via Ethernet
– Built-in expansion port for audio interface cards or digital networking bridges
– Conceived and designed by BEHRINGE

Yamaha M7cl/48

[Specification]
Centralogic™ Total Access for Absolute Control
Virtual Rack
StageMix provides remote control of M7CL functions
Versatile Channel Module Functions
Outstanding Effects and Effect Control
Waves SoundGrid System
Efficient Interface and Control Functions
Features for Optimum Monitoring
Memory & Recall
Access and Data Management
Sends on Fader in M7CL V3 Editor
M7CL-48ES: Onboard EtherSound and 3rd Port
M7CL-48ES: Auto-configuration for Plug-and-Play Convenience
M7CL-48ES: Analog Insert via OMNI I/O
AuviTran Network ASIO Streamer support for the M7CL-48ES
HA Remote signal output from Slot 1 (M7CL-48ES only).
M7CL Console

Yamaha LS-9/32

[Specification]
– Choose the Model that Suits Your Needs
– Lightweight and Compact for Superior Portability and Handling
– No-compromise Analog Circuit Design Delivers the Best Sound in this Class
– Intuitive Interface
– 16 or 32 Mono Input Channels Plus 4 Stereo Input Channels expandable up to 32 or 64 channels in Two Layers
– Extensive Channel Functionality
– 16 Mix Buses, 8 Matrix Buses, Plus Stereo and Mono Buses with LCR Mode
– Virtual Rack with Top-quality Effects
– Recall Safe and Recall Focus…Right Down to Head Amp Gain
– USB Memory Recorder/Player for Convenient Recording and BGM or Effect Playback
– Detailed Access Management
– LS9 Editor Software for Enhanced Operability and Programmability

Yamaha O1v-96

[Specification] – Precise 24-bit/96-kHz Audio and High-performance Head Amps
– 40-input 18-bus Mix Capacity at 96 kHz
– Versatile Connectivity and Expandability for a Wide Range of Applications
– Powerful Channel Functions with Flexible Control and Patching
– Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz
– 01V96 Editor Software Supplied
– Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys
– Versatile Pairing and Grouping Functions Enhance Mixing Efficiency
– I/O Expansion Slot for Easy Expansion in a Variety of Formats
– Sophisticated DAW or Digital Recorder Integration
– Built-in VCM Effects
– Channel Strip
– Compressor 276 (mono) / Compressor 276S (Stereo)
– Compressor 260 (mono) / Compressor 260S (Stereo)
– Equalizer 601
– Reverb
– Free Version 2 Download Enhances 01V96 Functionality
– Seamless ADD-ON EFFECTS Support
– A Major Studio Manager Evolution

JBL PRX715

[Specification]
Inputs Connectors – 2 x Balanced XLR / 1/4 inch input, 2 x unbalanced RCA input
Input Impedance – 20k ohms(balanced), 10K ohms(unbalanced)
Frequency Range(-10dB) – Main:42.9Hz ~ 19.5kHz / Monitor:43.6Hz ~ 19.3kHz
Frequency Response(±3dB) – Main:58.1Hz ~ 17.2kHz / Monitor:60.7Hz ~ 16.7kHz
Crossover Frequency – 1.7khZ
Power Rating – 1500W (750W x 2)
AC Power Input – 100V ~ 240V 50/60Hz
Suspension / Mounting – Dual 36mm pole socket, 12 x M10 Suspension Points
Dimensions(H x W x D) – 714.43 mm x 445.13 mm x 358.71 mm
Net Weight – 21.6kg
Gross Weight – 26.3kg

T-45

[Specification]
Inputs – (2) 3-pin Female XLR plus(2) 3-pin male XLR links
Input Impedance – 20k ohms, actively balanced
Input Cmrr – >90dB
Outputs – (2) 4-pole Speakon
Output Power(RMS per channel) – 1200 watts into 8 Ohms @ 1kHz
2250 watts into 4 ohms @ 1kHz
3200 watts into 2 ohms @ 1kHz, 4500 watts peak
Thd@Rated Power – <0.008% @ 1kHz, 4ohms
Hum and Noise – -105dB
Gain – +35.75dB
Sensitivity – +6dBu for rated output
Damping Factor – 400(1kHz, 8 ohms)
Frequency Response – 20Hz ~ 20kHz, +0/-0,5dB

T-25

[Specification]
Inputs – (2) 3-pin Female XLR plus(2) 3-pin male XLR links
Input Impedance – 20k ohms, actively balanced
Input Cmrr – >90dB
Outputs – (2) 4-pole Speakon
Output Power(RMS per channel) – 650 watts into 8 Ohms @ 1kHz
1250 watts into 4 ohms @ 1kHz
2200 watts into 2 ohms @ 1kHz, 2500 watts peak
Thd@Rated Power – <0.008% @ 1kHz, 4ohms
Hum and Noise – -105dB
Gain – +35.75dB
Sensitivity – +13dBu for rated output
Damping Factor – 400(1kHz, 8 ohms)
Frequency Response – 20Hz ~ 20kHz, +0/-0,5dB

MC 1250

[Specification]
Out Power[per channel] – 8 ohms:3100w, 4 ohms:1550w, 2 ohms:wwoow
Out Power[bridged] – 8 ohms:3100w, 4 ohms:4400w
THD – (@1dB below maximum output power) @ 1kHz<0.008%, 20Hz to 20kHz<0.03%
Gain/Sensitivity – Gain 33dB Sensitivity(for maximum power)+6dBu (1.54v)
Frequency Response – 20Hz to 20kHz(+0dB / -0.5dB)
Power Consumption – Nominal@240V into 4 ohms 3.2A, Nominal@120V into 4 ohms 6.4A

SHURE UR 40

[Specification]

  • H4 band (518-578MHz)
  • 2,400 selectable frequencies across 60MHz bandwidth
  • Track Tuning filtering technology
  • Up to 40 preset compatible systems per band
  • Up to 108 systems with multiple bands
  • Networked automatic frequency selection
  • Infrared automatic transmitter sync (including custom group upload)
  • Flash memory to store six 60-ch custom frequency groups
  • Shure’s patented Audio Reference Companding
  • Multi-function bit-mapped backlit LCD
  • USB and Ethernet network control and monitoring
  • AMX/Crestron compatibility
  • RF distribution ports on rear panel
  • Remoteable antennas

Mipro Wireless MIC System

mipro2

mipro3

 

[Specification]

ACT-74 Quad-Channel True Diversity Receiver
Frequency Range – UHF (country dependent)
Bandwidth – 72 MHz
Sensitivity – 6 dBμV at S/N > 80 dB
S/N Ratio – > 108 dB (A)
Frequency Response – 50 Hz ~ 18 kHz, with high pass filter
Audio Output – Single channel output or mixed output. 3-level switchable

ACT-70HC Rechargeable Handheld Transmitter
Frequency Range – UHF 480 ~ 934 MHz (country dependent)
Bandwidth – 72 MHz
Deviation – < ±40 kHz
Spurious Emission – ≦ -55 dBc
Gain Setting – 6 dB, 3 dB, 0 dB, -3 dB, -6 dB (five settings) 0 dB = microphone capsule sensitivity

ACT-70TC Rechargeable Bodypack Transmitter
Frequency Range – UHF 480 ~ 934 MHz (country dependent)
Bandwidth – 72 MHz
Deviation – < ±40 kHz
Spurious Emission – ≦ -55 dBc
Gain Setting – 12 dB, 6 dB, 0 dB, -6 dB, -12 dB (five settings) 0 dB = microphone capsule sensitivity

Soundcraft Vi4

[Specification]

Stagebox Mic input to Line output +0/-1dB, 20Hz-20kHz
AES/EBU In to AES/EBU Out +0/-0.2dB, 20Hz-20kHz
T.H.D. & Noise 22Hz-22kHz
Stagebox Mic In(min gain)to Local Line Out <0.003% @ 1kHz
Stagebox Mic In(max gain)to Local Line Out <0.020% @ 1kHz
Local Line In to Line Ou <0.003% @ 1kHz
Mic Input E.I.N. <-126dBu (150Ω source)
22Hz-22kHz bandwidth, unweighted
Residual Noise -95dBu
Stagebox line output; no inputs routed, Mix fader @0dB
CMRR 80dB @ 1kHz
Stagebox Mic input
Sampling Frequency 48kHz

Dolby Lake Processor

[Specification]

Audio Performance
Conversion Resolution
24-bit
Internal Sample Rate
96 kHz
Internal Data Path
32-bit floating point
System Propagation Delay
<2 ms from any input to any output (analog or digital)
Maximum Available Delay
2 s from any input to any output
Sample-Rate Converters
Operating Sample Rates
44.1, 48, 88.1, 96 kHz
Resolution
24-bit
THD + Noise
0.00003% typical, 20 Hz to 20 kHz, unweighted
Dynamic Range
140 dB typical, 20 Hz to 20 kHz, unweighted

Behringer Studiolive24.4.2

[Specification]
– Powerful 8-bus digital mixing console
– up to 42 inputs at mixdown
– 16 mic/line and 5 stereo inputs*
– 16 digital tape returns on ADAT Optical and TDIF formats
– All inputs have access to 3-band parametric EQ, 4 auxes,2 Lexicon effects sends and 2 dynamics processors
– 24-bit or better throughout
– Moving 100mm faders
– Snapshot and dynamic automations capability
– Undo/redo, copy and paste functions
– Solo in-place, AFLanf PFL solos
– Machine control
– 2 consoles can be cascaded

Midas Venice

[Specification]

Total # Of Inputs 16
Microphone Inputs 8 Mono, 4 Stereo, XLR-F Connectors
1 x Talkback Mic Input, XLR-F
Line Inputs 8 Mono, 4 Stereo, TRS Connectors
1 x Stereo Playback Input, RCA
Matrix Type 7 x 2, XLR-M
AUX Returns 2 x Stereo, TRS
Bus 6 x Aux Mix Busses, XLR-M
BUS (Group) Outputs 4 x Audio Subgroups, XLR-M
Master Output 1 x Stereo Master, XLR-M
1 x Mono Master, XLR-M
FireWire 16 x 16 Channel, FireWire 400 (6-Pin)
EQ Section 4-Band Swept EQ
Phantom Power 48 V
Dimensions (WxDxH) 19.0 x 9.65 x 22.77″ (482.6 x 245.1 x 578.36 mm) (13RU)
Weight 51.8 lb (23.5 kg)

Mackie ProFx12

[Specification]

Equivalent Input Noise 150 ohm source impedance, 20 Hz to 20 kHz:
Mic in to insert send out, max gain -125 dBu
Residual Output Noise All outputs, master levels off, all channel levels off: -95 dBu
All outputs, master levels unity, one channel level unity: -80 dBu
Frequency Response Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N 22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.03%
Maximum Level All inputs: +22 dB
Main Out XLR: +28 dBu
All other outputs: +22 dBu
Dimensions 3.6 x 14.6 x 14.1″ (91 x 370 x 358 mm)
Weight 9.0 lb (4.1 kg)

PreSonus StudioLive 24.4.2AI

Specification] 24 x Class A XMAX microphone preamplifiers individual phantom power deliver studio-quality sound for any microphones
USB wireless LAN included for direct wireless remote control of laptops, iPad, or iPhone/iPod touch – no computer connection or separate network needed!
4 x onboard digital effects processors let you add depth and dimension to your mixes
Integrated FireWire 800 interface makes live recording easy
2 x Fat Channel processors per channel provide highpass filter, full-featured gate and compressor, limiter, 4-band parametric EQ, and the ability to A/B two completely different setups
Smaart Measurement Technology integration lets you quickly tune your system to any room
Direct integration with PreSonus’s Capture 2.x multitrack recorder and Studio One 2.x DAW makes music production seamless
Optional Thunderbolt, AVB, and Dante cards provide easy integration into advanced recording and production setups
An exhaustive software suite including Studio One 2 Artist and Capture 2 included

Lab Gruppen Fp-10000Q / Fp-6400

[Specification]
– Number of channels 2
– Peak total output both channels driven 10000W
– Peak output voltage per channel 150V
– Max. output current per channel 50 A peak


One dayUS$ 300


Lab Gruppen Fp-6400

[Specification]
– Max output power 1) EIA
– EIA at 1 kHz and 1% THD
– 8 Ω per channel 1300W
– 4 Ω per channel 2300W
– 2 Ω per channel 3200W
– 8 Ω bridged 4600W
– 4 Ω bridged 6000W


Denon DN-D4000

[Specification]

MP3 Playback (folder, artist, album, title)
CD Text, ID#, tag and M3u support
2 Seamless loops
2 Hot starts & stutter cue points
Brake effect
Shock proof memory
2-Way pitch bend
Relay play, program play, repeat play, power on play
Jog/shuttle wheel
Illuminated action buttons and drive trays
Auto close tray system
Sleep mode
4 Way time display
Pitch range +/- 4%, 10%, 16%
User adjustable presets
Custom memory – save up to 300 loops and cue’s internally
Firmware upgradeable by CD-Rom disc
Digital output (SPDIF)
Fader Start

 

 

Clear-Com WBS-670

[Specification]

RF Frequency Range: 518-608 MHz, 614-686 MHz in 18 MHz TX and RX bands
WBS-670: G9 band, 796-814 MHz Tx, Germany only
Power Requirement: 100-240 VAC, 50-60 Hz, IEC receptacle
Typical Battery Life Alkaline: N/A
Typical Battery Life – Nickel Metal Hydride (1500 mAh): N/A
Current Draw: N/A
Temperature Range: -4oF to 140oF (20oC to 55oC)
Dimensions: 19.0” W x 1.72” H x 14.0” D (48.3 cm x 4.4 cm x 35.6 cm)
Weight: 6 lbs. 15 oz. (3.15 kg)

 

Shure UR4D

[Specification] *2400 selectable Frequencies across 60 MHz bandwidth
*Up to 47 compatible channels per band
*Cascading: Includes RF distribution ports that allow up to
10 receivers to share the RF signal from a single pair of antennas.
*Track Tuning Filtering Technology
*Networked Automatic Frequency Selection
*Automatic Transmitter Setup (including custom group upload)
*Flash Memory to store six 60-channel custom frequency groups
*Shure’s patented Audio Reference Companding
*Multi-function bit-mapped backlit LCD
*Built-in USB & Ethernet network compatibility
*Shure’s Wireless Workbench Control/Monitoring Software
*Remoteable antennas
*Shure’s microprocessor-controlled diversity

 

 

Shure PSM700

[Specification]
• UHF operation.
• Stereo or MixMode™ control for custom monitor mixes.
• 32 user-selectable frequencies per system.
• Up to 16 compatible frequencies for 16 different mixes.
• Frequency compatible with all Shure Wireless systems
(country dependent).
• MPX Stereo audio transmission.
• Switchable high-frequency boost on P7R.
• +4 dBu and –10 dBV input level select switch on P7T.
• Electronically balanced, combined 1/4-in. and XLR
connectors on P7T can be used with balanced or unbalanced
outputs.
• Volume and Balance dials on the P7R Receiver.
• Internal linear power supply on P7T, switchable between
120 VAC and 230 VAC.
• Peak transmitter modulation limiter with fixed threshold and
modulation limit indicators.
• Loop out connectors on P7T for multiple mix setups and easy
installation.
• Tone-Key squelch.
• Half-rack chassis on P7T complete with mounting hardware.
• All metal construction on P7T and P7R.
• Headphone monitor on P7T for local listening.
• Earphones reduce ambient sound levels by sealing off the
ear canal

Turbosound T-45

[Specification]

Net Weight 11kg (24.2 lbs)
Dimensions 88mm x 482mm x 428mm (3.5″ (2U) x 19″ x 16.8″)
Amplifier Type Class AB
Power Output 1200 watts into 8 ohms @ 1kHz
2250 watts into 4 ohms @ 1kHz
3200 watts into 2 ohms @ 1kHz, 4500 watts peak
Connectors 2 x 3-pin female XLR plus 2 x 3-pin male XLR links
Frequency Response 20Hz-20kHz, +0/-0.5dB
Power Requirements 230VAC @ 20 amps max or 115VAC @ 40 amps max

 

L24

[Specification]

Drivers 2 × 12″
Frequency range 63 – 400 Hz
Power capacity
program / peak 1300 / 2600 W
Impedance 8 Ohms
Sensitivity 1 W / 1 m 102 dB
SPLmax / 1 m 135 dB
Connection NL4 2±
Dimensions (H x W x D) 550 × 500 × 560 mm
Weight 33,6 kg
Finish Polyurea coating
Accessories DL24, RF300, GF10, UF10
Options RAL colors (Warnex texture paint)

Genelec 8030B

[Specification]

SPL 100 dB
requency response 50 Hz – 25 kHz (-6 dB)
Accuracy of frequency response ± 2 dB (58 Hz – 20 kHz)
Driver dimension Woofer 5 inch + Tweeter 3/4 inch metal dome + DCW™
Amplifier power Woofer 40 W + Tweeter 40 W
Dimensions H 299 x W 189 x D 178 mm 11 13/16 x 7 7/16 x 7 1/16 inch, with Iso-Pod™
Weight 5.6 kg / 12.3 lb
Connections 1 x XLR analog input

MIPRO MA707E

[Specification]

* Power Output: 70W(rms)/4Ω
* T.H.D.: <0.1%
* Frequency Response: 50Hz~18KHz +/-3dB
* Speaker: 8-inch, full-range
* Audio Inputs: Balanced, Unbalanced Mic & Line-in
* Power Supply: Built-in two pieces of 12V/4AH rechargeable battery
with charger & 90~264V AC switching power supply.
* Charging & Operating Time: 6~8 hours continuous use per 8 hours
charge (automatic charging management)
* Dimensions: 310(W)x445(H)x240(D)mm / 12.2(W)x17.5(H)x9.4(D)”
* Weight: 13.5kg / 29.8lbs

 

HME DX300ES

[Specification]

Frequency Range: All, 2400 – 2483.5 MHz
Low, 2401.92 to 2439.94 MHz
High, 2443.39 to 2481.41 MHz
Frequency Response: 200 Hz to 3.5 kHz
Power Requirements: 100-240VAC, 50-60Hz
12-14VDC or six AA batteries (NiMH optional)
Temperature Range: 32-122°F (0-50°C)
Size: 8” x 8” x 3.5” (20.32 x 20.32 x 8.89 cm)
Weight: 2.75 lb with battery (1.25 kg)
# of Beltpacs per Base: 15 can be registered; any 4 can have simultaneous full-duplex
communication at one time (in single channel mode)
8-Wire I/O: RJ45, 600Ω balanced out, high impedance in
Auxiliary Audio: 10-Ckt Phoenix connector, 600Ω balanced out, high impedance in,
level adjustable
Headset Connectors: 4-pin mini-DIN
Electret microphone: 45 KΩ
Headset Output: 200mW into 32Ω

M12

[Specification]

Bestückung 1 × 12″ LF | 1 × 1,4″ HF
Frequenzgang 60 – 19000 Hz
Belastbarkeit
Programm / peak 700 / 1400 W
Impedanz 8 Ω
Abstrahlwinkel (h × v) 75° × 50° HF-Horn, drehbar
Kennschalldruck 1 W / 1m 101 dB
SPLmax / 1 m 132 dB
Anschluss 2 Speakon NL4, Pin1+/-
Maße (H × B × T) 606 × 360 × 314 mm
Gewicht 20,2 kg
Oberfläche Warnex Strukturlack
Zubehör QBM10 SBM12, CoverM12, CaseM12, QBM12
Optionen linke und rechte Version, RAL Farben

T24N

[Specification]

Bestückung 2 × 12″ LF | 1 × 1,4″ HF
Frequenzgang 65 – 18000 Hz
Belastbarkeit
Programm / peak 1400 / 2400 W (bi-amp LF), 220 / 400 W (bi-amp HF) ㅣ 1400 / 2400 W (passiv)
Impedanz 4 Ω (bi-amp LF),8 Ω (bi-amp HF) ㅣ 4 Ω (passiv)
Abstrahlwinkel (h × v) 60° × 40° oder 90° × 50° HF-Horn austausch- und drehbar
Kennschalldruck 1 W / 1m 107 dB (bi-amp LF), 112 dB (bi-amp HF) ㅣ 110 dB (passiv)
SPLmax / 1 m 143 dB
Anschluss 2 Speakon NL4, Pin1+/- HF | Pin 2+/- LF (bi-amp) ㅣ 2 Speakon NL4, Pin1+/- (passiv)
Maße (H × B × T) 706 × 440 × 440 mm
Gewicht 33 kg
Oberfläche Warnex Strukturlack
Zubehör CaseT24, CoverT24, FDB30, SBT24, CBT24, BLT24, MCT24,BAT24, BBT24, BCT24
Optionen RAL Farben

VERA S30

[Specification]

Bestückung 2 × 15″
Frequenzgang 35 – 200 Hz
Belastbarkeit
Programm / peak 2000 / 4000 W
Impedanz 8 Ω
Abstrahlwinkel (h × v) omni
Kennschalldruck 1 W / 1m 97 dB
SPLmax / 1 m 133 dB
Anschluss 2 Speakon NL4, Pin2+/-
Maße (H × B × T) 446 × 706 × 800 mm
Gewicht 40,4 kg
Oberfläche Polyurea Beschichtung
Zubehör FDB30, QDB30, CBH30, CBQ30,BLT24, CoverB30
Optionen RAL Farben (Warnex Strukturlack)

VERA10

[Specification]

Bestückung 1 × 10″ LF | 2 × 1″ HF
Frequenzgang 60 – 16000 Hz
Belastbarkeit
Programm / peak 500 / 1000 W (bi-amp LF),200 / 400 W (bi-amp HF) ㅣ 600 / 1200 W (passiv)
Impedanz 16 Ω (bi-amp LF), 16 Ω (bi-amp HF) ㅣ 12 Ω (passiv)
Abstrahlwinkel (h × v) 80 ° oder 120° × 10°
Kennschalldruck 1 W / 1m 103 dB (bi-amp LF),111 dB (bi-amp HF) ㅣ 104 dB (passiv
SPLmax / 1 m 133 dB
Anschluss 2 Speakon NL4, Pin1+/- HF | Pin 2+/- LF (bi-amp) ㅣ 2 Speakon NL4, Pin1+/- (passiv)
Maße (H × B × T) T) 275 × 500 × 355 mm
Gewicht 16,7 kg | 18 kg mit Passivweiche
Oberfläche Polyurea Beschichtung
Zubehör H120, CaseV10, DL10, RF300, GF10, SF10, UF10
Optionen PWVERA10 interne Passivweiche mit aktiv /passiv Umschaltung, RAL Farben
(Warnex Strukturlack)

C15

[Specification]

Bestückung 1 × 15″ LF | 1 × 1,4″ HF coaxial
Frequenzgang 55 – 17000 Hz
Belastbarkeit
Programm / peak 800 W (bi-amp LF), 320 W (bi-amp HF) ㅣ 800 / 1600 W (passiv)
Impedanz 8 Ω (bi-amp LF), 20 Ω (bi-amp HF) ㅣ 8 Ω (passiv)
Abstrahlwinkel (h × v) Im Monitorbetrieb 55° × 70° HF-Horn, drehbar
Kennschalldruck 1 W / 1m 101 dB
SPLmax / 1 m 133 dB
Anschluss 3 Speakon NL4, Pin1+/- HF |Pin2+/- LF (bi-amp) ㅣ 3 Speakon NL4, Pin1+/-(passiv)
Maße (H × B × T) 348 × 605 × 525 mm
Gewicht 23,8 kg
Oberfläche Warnex Strukturlack
Zubehör SBC15, CaseC15, QBC15
Optionen RAL Farben

M10

[Specification]

Bestückung 1 × 10″ LF | 1 × 1,4″ HF
Frequenzgang 68 – 19000 Hz
Belastbarkeit
Programm / peak 600 / 1200 W
Impedanz 8 Ω
Abstrahlwinkel (h × v) 75° × 50° HF-Horn, drehbar
Kennschalldruck 1 W / 1m 97 dB
SPLmax / 1 m 127 dB
Anschluss 4 Speakon NL4, Pin1+/-
Maße (H × B × T) 505 × 300 × 280 mm
Gewicht 15,2 kg
Oberfläche Warnex Strukturlack
Zubehör SBM10, CoverM10, CaseM10, QBM10
Optionen linke und rechte Version, RAL Farben

M8

[Specification]

Bestückung 1 × 8″ LF | 1 × 1″ HF
Frequenzgang 70 – 20000 Hz
Belastbarkeit
Programm / peak 400 / 800 W
Impedanz 8 Ω
Abstrahlwinkel (h × v) 90° × 60° HF-Horn, drehbar
Kennschalldruck 1 W / 1m 95 dB
SPLmax / 1 m 124 dB
Anschluss 4 Speakon NL4, Pin1+/-
Maße (H × B × T) 445 × 240 × 240 mm
Gewicht 10 kg
Oberfläche Warnex Strukturlack
Zubehör SBM8, WHM8, BagM8, CaseM8, QBM8
Optionen linke und rechte Version, RAL Farben

M6

[Specification]

Bestückung 1 × 6,5″ LF | 1 × 1″ HF
Frequenzgang 80 – 20000 Hz 70 –
Belastbarkeit
Programm / peak 250 / 500 W
Impedanz 16 Ω
Abstrahlwinkel (h × v) 90° × 60° HF-Horn, drehbar
Kennschalldruck 1 W / 1m 92 dB
SPLmax / 1 m 119 dB
Anschluss 4 Speakon NL4, Pin1+/-
Maße (H × B × T) 360 × 200 × 200 mm
Gewicht 5,8 kg
Oberfläche Warnex Strukturlack
Zubehör SBM6, WHM6, CBL, BagM6, CaseM6
Optionen linke und rechte Version, RAL Farben

B15

[Specification]

Bestückung 1 × 15″
Frequenzgang 40 – 200 Hz
Belastbarkeit
Programm / peak 1200 / 2000 W
Impedanz 4 Ω (2,5 Ω im Passivbetrieb mit M8 am Hochpassausgang)
Abstrahlwinkel (h × v) omni
Kennschalldruck 1 W / 1m 94 dB
SPLmax / 1 m 127 dB
Anschluss 2 Speakon NL4, Pin2+/-
Maße (H × B × T) 506 × 440 × 560 mm
Gewicht 22,1 kg | 24 kg mit Passivweiche
Oberfläche Warnex Strukturlack
Zubehör FDB15, CoverB15
Optionen PWB15 interne Passivweiche mit aktiv / passiv
Umschaltung und Hochpassausgang für 8 Ω Lautsprecher,
RAL Farben

Turbosound NUQ8

[Specification]

– Net Weight : 10kg (22lbs)
– Dimensions : 464mm x 272mm x 220mm (18.3″ x 10.7″ x 8.7″)
– Components : 1 x 8″ (203mm) LF driver, 1 x 1″ (25mm) HF driver on a Converging Elliptical Waveguide™
– Frequency Response : 60Hz – 20kHz ±4dB
– Dispersion : 100°H x 60°V@-6db points. Rotatable waveguide allows swap of horizontal and vertical pattern
– Power Handling : 250 watts continuous, 500 watts program
– Sensitivity : 94dB, 1 watt @ 1 metre

TURBOSOUND TXD-252

[Specification]

* DIMENSIONS (HxWxD) 1220mm x 540mm x 434mm (48” x 21.3” x 17.1”)
* NET WEIGHT 49kg (107.8lbs)
* COMPONENTS 2 x 15” (381mm) LF drivers, 1 x 3” voice coil HF compression driver
* FREQUENCY RESPONSE 44Hz – 17kHz ±4dB
* NOMINAL DISPERSION 80°H x 50°V rotatable waveguide allows swap of horizontal and vertical pattern
* POWER HANDLING passive: 1000 watts r.m.s., 2000 watts program
* Recommended amplifier power 2000 watts @ 4 ohms
* bi-amp: LF 1000 watts r.m.s., 2000 watts program @ 4 ohms;
* HF 160 watts r.m.s., 320 watts program @ 8 ohms
* SENSITIVITY 97dB, 1 watt @ 1 metre
* CALC. MAXIMUM SPL 127dB continuous, 133dB peak
* CROSSOVER Passive: 12dB/octave high-pass and low-pass at 1kHz
* Active: 24dB/octave Linkwitz-Riley @ 1kHz
* NOMINAL IMPEDANCE 4 ohms passive; HF: 8 ohms, LF: 4 ohms (biamped mode)
* CONSTRUCTION 15mm (5/8”) birch plywood enclosure. Finished in TurboBlue™ semi-matt textured paint
* (optional black textured paint). Six recessed carrying handles. Pre-drilled for T4 wheels.
* GRILLE Heavy duty powder coated perforated steel mesh
* CONNECTORS Passive mode: (2) Neutrik Speakon NL4MP, wired pin1+: positive, pin1-: negative, pins2+ and
* 2- N/C. Biamped mode: (1) Neutrik Speakon NL-4MDVS, wired pin1+: LF positive, pin1-: LF
* negative, pin2+: HF positive, pin2-: HF negative

 

 

Meyer Sound 500-HP

[Specification]

DIMENSIONS (HxWxD) : 463mm x 674mm x 572mm (18.23″ x 26.55″ x 22.50″)
DIMENSIONS : 28.27″ w x 18.23″ h x 22.50″ d (718mm x 463mm x 572mm)
(w/rigging)
weight : 133lbs (60.32Kg);with rigging,164 lbs (74.38 Kg)
Enclosure : Premium birch plywood
Finish : Black textured , hard – shell
Protective Grille : Powder – coated , hex – stamped steel with black mesh screen
Rigging : Optiona Quickfly MRF-500 rigging frame for arrays with M’elodie curvilinear loudspeakers;
rigging frame also compatible with MG-M’elodie multipurpose grid; integral 1-1/2″(38mm)
pole-mount receptacle on top

S.E.G SMF-212

[Specification]

System : 2 Way Passive
Frequency Response : 60Hz ~ 20KHz
components : One driver-75mm(2inch troat), one of 12inch woofer
Power handling : Driver-75watts , Woofer-500Watts 1
Sensitivity : 98dB
Impedance : Driver-16chms, Woofer-8ohms
Max SPL : Peak-133dB/RMS-127dB
Coverage pattem : Vertical-90defrees , Honizontal-90degrees
input connector : 3 NL4MPR (from Neutrik)3
Dimensin : 515mm W x 346mm H x 361mm D
finish : Texture uretane
Enclosure shape : Wedge monitor shape
Welght
Enclosure typs : Vented box
Rigging system : 8mm 1 bolt
Rigging limits
Options : Finish colour / Soft cover / input connector
Hi crossover frequency : 1200Hz
Hi crossover slope : 24dB butterwoth
Amplifier : 1000Watts at 8ohms
Passive ntwork : One of Teardrop
Euclosure : Exterior glus 15mm Finland birch plywood
gnille : Foam sponge and steel gnille
Warranty : 5years
Spares and accassories : 5312-LF loudspeaker
RK5312 Reconkit for 5312
1750ZT-Replacement diaphragm for 651ZT

S.E.G 108P

[Specification] – System : 2 Way Passive
– Frequency Response : 70Hz ~ 20KHz
– components : One driver-44mm(1inch thiat), one of Binch woofer
– Power handling : Driver-45watts , Woofer-200Watts 1
– Sensitivity : 98dB
– Impedance : Driver-16chms, Woofer-8chms(each)
– Max SPL : Peak-125dB/RMS-119dB
– Coverage pattern : Vertical-90defrees , Honizontal-90degrees
– input connector : male and female NL4MPR (prom neutink)3
– Dimension : 260mm W x 680mm H x 400mm D
– finish : Texture urethane
– Enclosure shape : Trapezidal
– Welght
– Enclosure typs : Vented box
– Rigging system : 8mm 1 bolt
– Rigging limits
– Options : Finish colour / Soft cover / input connector
– Hi crossover frequency : 2500Hz
– Hi crossover slope : 18dB butterwoth
– Amplifier : 400Watts at 8ohms
– Passive ntwork : installed
– Enclosure : Exterior glus 15mm Finland birch plywood
– gnille : Foam sponge and steel gnille
– Warranty : 5 years
– Spares and accessories : 5208-LF loudspeaker
– RK5208W Reconkit for 5208
– 1450ZT-Replacement diaphragm for 450PB

Meyer Sound MELODIE

[Specification]
Operating Frequency Range : 70 Hz – 18 kHz
Frequency Response : 76 Hz – 16 kHz +/- 4 dB
Maximum Peak SPL: 131 dB
Coverage : Horizontal: 100 degrees
Vertical: Varies, depending on array length and configuration
Crossover : 1100 Hz
Low/Mid Frequency (front) : Two 8″ cone drivers with neodymium magnets
Nominal impedance: 4 Ohm
Voice coil size: 1.5″
Power-handling capability: 600 W (AES); 900 W peak
High Frequency : 3″ compression driver
Nominal impedance: 8 Ohm
Voice coil size: 3″
Diaphragm size: 3″
Exit size: 1.2″
Power-handling capability: 180 W (AES); 360 W peak
Amplifiers : Type: 3 Channel Complementary MOSFET output stages (class AB/H)
Ouptut Power: 1275W (3 Channels ; 2 x 500 W, 1 x 275 W)
THD, IM, TIM: <0.02%
Load Capacity: 4 Ohm Low/Mid and 8 Ohm High Channels
Cooling: Convection
Audio Input : Type: differential, electronically balanced
Connector: XLR Female with XLR Male loop output.
Input Impedance: 10 k Ohm differential between pins 2 and 3
AC Power : Connector: PowerCon with looping output or VEAM
Automatic Voltage Selection: Automatic, two ranges, each with high-low voltage tap (uninterrupted)
Current Draw : Idle: 0.680 A rms (115 V AC); 0.360 A rms (230 V AC); 0.760 A rms (100 V AC)
Max. Lomg Term: 2.3 A rms (115 V AC); 1.2 A rms (230 V AC); 2.6 A rms (100 V AC)
Burst Current: 4 A rms (115 V AC); 2A rms (230 V AC); 4.5 A rms (100 V AC)
Ultimate Short-Term: 13A pk (115 V AC); 6.5 A pk (230 V AC); 15 A pk (100 V AC)
Inrush: 10 A rms at 115 V AC, 18 A rms at 230 V AC
Dimensions : 28.54″ w x 9.19″ h x 12.75″ d (724.84 mm x 233.31 mm x 323.85 mm)
Weight : 62 lbs (28.12 kg)
Enclosure : Premium birch plywood
Finish : Black textured
Protective Grill : Powder-coated hex stamped steel

Musikelement MSR-1010

[Specification]

Frequency Response (1W@1m) : (+/-3dB) : 80Hz ~20KHz
(-10dB) : 70Hz ~ 22KHz
Axial Sensitivity (dB SPL, 1W@1m) : 97
Impedance(Ohms) Full Range : 8
Power Handling RMS/PROGRAM/PEAK(Watts) : 250/500/1000
Calculated Maximum Output : Full Range peak : 115
Full Range Long Term : 110
Nominal Coverage Angle/-6dB points(Degrees) : Horizontal : 90
Vertical : 90
System configuraeion : Tow-way full range
Powering : Passive(LF/HF crossover) : LF subsystem : 10″Woofer x 1
HF subsystem : 1.4HF system protection circuit / Ferrofluid coolant
Enclosure Materials : High intensity 15mm wood
Finish / color L water resistant textured black paint
Connectors : NL 4 Speakon x 2
Hardware : Bottom : SPK Stand Ple Socket
Rear : Suspend Point x1
Right/Left : Suspend Point x2
Grille : Power coated perforated steel, foam backed
weight : net – 11.9kg , gross – 13.7kg
DIMENSIONS (WxHxD) 12.6″ x 20.4″ x 11.8″ (320mm x 517mm x 300mm)

AR-133

[Specification]

Input Impedance 1 mOhm (pad at 0dB), 47 kOhm (pad at -20dB or -40dB)
Max Input +9dBu (pad at 0dB), +29dBu (pad at -20dB), +49dBu (pad at -40dB)
Input Connectors Two Parallel 1/4″ jack connectors (Tip Hot +ve, Sleeve ground), and a parallel XLR connector (unbalanced) (Pin 2 Hot +ve, Pin 1 & 3 ground)
Output Transformer Balanced
Max Output +8dBu into 600 Ohms or greater
Output Connectors XLR3-32 or equivalent
THD < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
Main/Standby battery 9 volt PP3 type, preferably alkaline
Power Consumption on phantom: less than 7.5mA, on battery: less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Unit Weight 650 gms, excluding batteries
Dimensions 59 mm x 124 mm x 143 mm (2.3″ x 4.9″ x 5.6″)

shure mx418

[Specification]

Frequency Response 50~17,000 Hz
Polar Pattern Cardioid / SuperCardioid / Omnidirectional
Output Impedance (at 1,000 Hz) Rated at 150 Ω (180 Ω actual)
Open Circuit Sensitivity 1kHz일 때, ref. 1 V per Pascal*
Cardioid : -33.5dBV (21.1mV)
Supercardioid : -32.5dBV (23.7mV)
Omnidirectional : -28.0dBV (39.8mV)
* 1 Pascal=94 dB SPL
Maximum SPL (1kHz at 1% THD, 1 kΩ load)
Cardioid: 123.0 dB
Supercardioid: 122.0 dB
Omnidirectional: 117.5 dB
Equivalent Output Noise (A-weighted)
Cardioid: 29.0 dB SPL
Supercardioid: 28.0 dB SPL
Omnidirectional: 70.5 dB SPL
Signal to Noise Ratio (referenced at 94 dB SPL)
Cardioid: 65.0 dB
Supercardioid: 66.0 dB
Omnidirectional: 70.5 dB
Dynamic Range with 1 kΩ load 94.0 dB
Common Mode Rejection 45.0 dB minimum
Mute Switch Attenuation 50.0 dB minimum
Preamplifier Output Clipping Level (1% THD) -6.0 dBV (0.5 V)
Power Requirements 11 to 52 Vdc phantom, 2.0 mA
Weight 0.82 kg net, 1.64 kg packaged